As a Londoner I get a special thrill from the capital’s fringe art scene – particularly the abundance of wonderful small theatres offering all kinds of plays. One of my favourites is The Gate Theatre in Notting Hill. It’s no wonder it’s totally ignored by all the tourists – you enter via an unassuming single doorway and a narrow set of stairs leads up to, well, you can’t quite see what. Waiting in the crowded foyer to enter the tiny auditorium I am sometimes sceptical about what I’m going to see – yet time and time again I have been amazed by the quality of theatre staged in this special little space.

What makes The Gate so special is the talent that runs it. Creative Directors Natalie Abrahami and Carrie Cracknell are fiercely intelligent and passionate, and never fail to assemble an exciting programme. Classics, new writing and collaborations with other art forms put The Gate at the forefront of what’s hot in theatre. And its reputation means that it attracts the highest calibre of actors and directors, who, following in the footsteps of some legendary figures, carry a sense of pride that is truly inspiring.

My insider tip is simple – book your ticket. You may not have heard of The Gate but those interested in theatre have and because of its tiny size shows sell out quickly.

Image courtesy of trash world on Flickr